Piper Blackall

FS Koopman is a hard-working typeface.

A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither

one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).

FS Kim is bold and intriguing—exuberant and unmissable, but playing a supporting role when needed. FS Kim shines brightest as a display font, and is perfect for applications across fashion, theatre, cultural projects and pretty much any brand that wants to make a statement.

While this font is dramatic, it’s incredibly versatile, too, and works to showcase content in a stylish, striking way. In an unusual twist, the display version was created first using a broad-nib pen to create familiar forms and elegance while still breaking from serif traditions and making it all about standout character.

While FS Kim’s text version is more constrained than the display, the strength and playfulness remain and text and display maintain a strong connection that mean they can be used together. This isn’t a serif of the usual subtle and softness: it’s aggressive and exaggerated.

FS Meridian is the timeless typeface.

A rhythmic sans serif which takes inspiration from the precise yet imperfect nature of time. From a geometric base, its rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm,

every time it’s read.

Alvar is a Modernist typeface. A utilitarian headline font inspired by the work of Alvar Aalto. FS Alvar is ideal for display headlines, advertising, and everything that's cool.

FS Neruda, a smart typeface.

Takes its name from Chilean poet Pablo Neruda, described as “the greatest poet of the 20th century in any language”. As such, it’s a font informed by the very best literary typeface traditions. Smart, sharp and classical, FS Neruda bridges the gap between the classical and the offbeat.