Piper Blackall

The Sync font family is a layered system for chromatic typesetting. With its stylistic variety it enables a wide range of eye-catching combinations with colors and patterns.

The very first sketches were inspired by some hand-painted characters on a weathered beach sign at the French Côte d’Argent and currently the font family comes with a total of 28 single fonts.

The primary font »Sync Base« is a powerful, condensed Sans Serif. Sharp cut edges, narrow wedge-shaped counters and low ascenders and descenders make the compact character of the typeface.

In perfect sync with the primary font, the family includes the retro styles Lines, Engravings, Stripes and Shadows and the texture styles Invisible and Jungle. Each one of them with multiple fonts.

As all Sync fonts have the same metrics, they can easily be layered in different colors to create the desired effects by using graphic applications that allow utilizing layers.

Sync fonts work especially well in larger sizes and were designed for large display purposes, covers, branding, packaging, headlines, editorials, advertising, posters and the like.

Check the gallery for examples. By the way, the graphics in some of the visuals come from the Linotype »Picture Yourself™« collection designed by Karin Huschka and Peter Huschka.

Sync & enjoy!

Telecom is a new, experimental typeface designed by Jan Estrada-Osmycki.
Inspired by space-age, science-fiction and the work of Wim Crouwel.
It’s design combines mechanical, modular approach to type and elegance of letterforms. It’s super-high contrast, thin hairlines and close attention to detail makes it a font to be set in greater sizes. Comes in four weights.

Revelstoke is a family of five sans serif fonts designed with a vintage print look in mind. Rounded edges and imperfections were added to the characters to give that old school printing vibe. For those looking to take things one step further with some texture, we’ve added in grunge versions as well. Revelstoke is extremely versatile on its own. The font family also works great as a secondary font to go along with existing logos and branding.

Sagitarius is a unique, elegant and modern handwriting font. that looks like a signature, this font is intentionally made with unique and alternating ligatures. This style of hand display makes it perfect for use in all your design projects whether it’s logo, label, packaging design, blog title, poster, wedding designs, social media posts, Instagram design, etc.

Multiple Language Support:

ŠÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏŸŽÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïñòóôõöøùúûêýÿŒœšž

I hope you enjoy this font. If you have questions, don't hesitate to give me a message :)

Thank you for your purchase!

Monarda™ is Terrance Weinzierl’s take on the loud and splashy brush scripts of the 1950s. It’s energetic, playful, and equally at home in hardcopy headlines as it is in interactive banners. In addition to the basic alphabet, OpenType® fonts of Monarda are also awash in super-sized swash caps, contextual alternate characters and ligatures. Pair Monarda with a mid-century structural sans like Trade Gothic® or a sturdy slab serif like Egyptian Slate™ to create typographic counterpoint that’s confident, compelling and memorable!

Named for a riotous bright red flower that attracts butterflies and humming birds, Monarda is a rare combination of flamboyance and effortless beauty. Weinzierl describes it as “casual yet precise: a stiff denim jacket or perfectly white sneakers at a formal event.” Monarda clearly stands out – and always fits in. Well, almost always. Drawn for print, the design’s robust x-height, open counters and wide apertures also make Monarda screen-friendly. Monarda can be perfect for a wide variety of food and lifestyle applications as well as travel, stationery and packaging projects. Advertising campaigns and product branding are also well within its reach.

Monarda works best when used large – but economically. Two or three words are its sweet spot. Think: product name, print headline or the lettering on the side of a truck. It could easily become your go-to design for projects that call for a script with a bright personality and fearless demeanor.

The excellence of Weinzierl’s work has been recognized by the Type Directors Club and Print Magazine. When not working on creating new typefaces, he augments his professional practice through calligraphy, lettering, and letterpress printing. Monarda is another winner from Weinzierl’s creative mind and talented hand.