Waiting For My Girl comes from a System of a Down song (Hypnotize). I was listening to it when I created this font and I liked the name!
Waiting For My Girl is a script font - it’s quite loose and uneven, just like proper hand writing. It comes with double letter ligatures and a lot of character!
Airates, this is my first font, as the name suggests and because this is my first font that I introduced to the world. Inspired by a film where someone who loses all and returns to struggle to find meaning in life that actually clings to the edge of the world and that’s where the beginning of a story seems to be reborn.
Airates Script Fonts is a typeface thick and easy to read so comfortable to wear .You can use it as a logo, badge, insignia, packaging, headline, poster, t-shirt/apparel, greeting card, business card, and wedding invitation and more. The flowing characters are ideal to make an attractive messages to your taste.
mix and match with a bunch of alternative characters to fit your project.It will be more interesting if you add swash / alternative swash.
The alternative characters in this font were divided into several OpenType features such as Stylistic Alternates, Ligature and Ligature Alternates.
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Thank you! Maculinc
Sarkastic is a font display is made by hand, inspired by classic posters. Sarkastic comes with uppercase, lowercase, numerals, punctuations and so many variations on each characters include opentype alternates, common ligatures and also additional swash to let you customise your designs. Perfect to use for Logotype, Letterhead, Poster, Apparel Design, Label and etc.
Epicentrum is a universal sans serif with a minimal style of strokes, a closed aperture and geometric shapes. It comes with four rounded styles which are perfect for large arrays of texts. The individually developed design of each glyph makes it possible to use it successfully as a display font. All weights can be combined perfectly which gives you the opportunity to create endless unique designs with just this one download.
André Simard designed Bronsimard, a font inspired by Henri-Paul Bronsard’s Kébek 101, designed in 1972 and used to create the logo and headlines of the daily newspaper Le Jour, founded in 1978. After all these years, Bronsard contacted his former student to propose a creative venture focused on drawing a variant of Kébek 101 from ideas contained in his research efforts. Simard adapted Kébek 101 to create Bronsimard, a fine blend of character and harmony which we hope will give free rein to your creativity. The final result is a vertically elongated font with very sharp contrasts, somewhat reminiscent of Bodoni and Didot.