Introducing Lansdowne, vintage all-caps typeface. Perfect blend between clean and vintage themed typework, inspired by the old advertisement letters. Lansdowne’s 470+ glyphs give you strong, sharp, yet clean feels without sacrificing its vintage/classic touch. Mouse-crafted with passion to quench your drought of versatile classic typeface.
Neue Stanley, all-caps vintage serif with strong, clean and sharp figures. Inspired by the classic letters that were used in the old advertisements (posters, labels, packagings, etc) Mouse-crafted with high attention to the details, satisfaction guaranteed! Whether you're working on modern or classic themed designs, this font is a must have on your designing arsenal.
Croog Pro is an upgraded version of Croog fonts (2009). As its predecessor, the new release is a rounded geometric monoline typeface, but built now in four weights with true italics. One more style has been added - “Black”, for display use. Squarish in proportions, monoline letterforms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text.
Croog Pro is released as OpenType fonts with extended glyph amounts, which enabled support of more Latin languages as well as Cyrillic languages, and includes some OpenType features.
Hiragino Serif (Mincho) is a font adapted for the digital age. It was designed to permit finely detailed tuning that allows the sizes of both kanji and kana to be adjusted for greatest visibility. It also broadly satisfies the needs of modern graphic design in advertising, posters, pamphlets, magazines, and other such uses. The font makes the counters comfortably wide while gracefully raising the text’s center of balance, ensuring that the typeset characters will be smooth and well-defined. It gives each line a modern impression thanks to a judicious balance of light and shade and draws out a vivid readability that makes it possible to comfortable push forward with one’s reading.
Latin alphabet and numbers have all been originally designed so that the weights of typeface and the flow of the baseline between Japanese and Latin characters are extremely consistent. Of particular note, vertically formatted text that mixes both Japanese and Latin characters can be beautifully rendered using only this typeface. Thanks to the use of authentic and sophisticated basic design , it creates a different atmosphere by combination of optional unique kana typefaces.
Hiragino Sans Traditional Chinese is a traditional Chinese font that inherits design characteristics from the Hiragino Sans (Kaku Gothic). The font satisfies the rising demand for a high-quality Big 5 embedded font for multilingual products, allowing it to be utilized in a wide range of applications.