I first wanted to call this family Crowbone, after Olaf Tryggvason, the legendary Viking king from Norway. Somehow I changed my mind and went for Crowfeather, because this is not a Viking font and the name ‘felt’ better.
Crowfeather is a family of two distinct fonts: a classic Serif and an old school script font. They work really well together!
A quite harmless and legible font that is very friendly to the eye. Use it when you need something legible and handmade.
Reading some book of typography inspired me to creating an elegant font. Calligraphy in specific. And I think the calligraphy have an advantage for the alternate characters, It has a tons to explore in just one letter. My exploration of this fonts as not easy as my imagination, it took several trial and errors to find the perfect balance for this style.
Some of the letters have more alternate than others, it is fine because the limitations of the shape of the letters, it must stay readable and legible. Every letter that i've chose are only the best on it and fit with the character style.
In total, Brignola has more than 1000 Glyphs inside.
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Full characters available : https://goo.gl/kctfBt -- only small preview
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Best suited for : Wedding, Invitation, Christmas, Label, Logos, Covers, Poster, Etc.
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Features included are previewed on the display, it contains :
- Contextual Alternates
- Stylistic Alternates
- Ligature
- Discretionary Ligatures
- Initial &Final Swash
- Isolated Forms
Sans-serif, with clean and fresh Character.
“Ye Paradigma” has been established in order to keep its forms as simple as possible - without losing the unique character of each letter, and without simplifying too much. The process was gradual, like the ripening of a sauce that leaves it to be reduced to strengthen flavors, so the letters ripened while reducing unnecessary details, until the taste became more concentrated and uniform.
The result is a clean, fresh, remarkably useful 24 fonts typeface, with a clear and stable graphic language.
Slab-serif typeface, with pulsating and flexible forms, which gives the font its humanistic character.
Ye Carbon crystallized into its forms in search for graphic language that would represent a sense of matter, of letters written by hand. The delicate finishes at the edges of the letters, and the flexibility of the of shapes, gives a feeling of matter, and bring the font to life. Ye Carbon will be a wonderful tool for variety of uses, thanks to its neat nature, and its forms in motion vibe, a rare and winning combination.