Piper Blackall

Reading some book of typography inspired me to creating an elegant font. Calligraphy in specific. And I think the calligraphy have an advantage for the alternate characters, It has a tons to explore in just one letter. My exploration of this fonts as not easy as my imagination, it took several trial and errors to find the perfect balance for this style.

Some of the letters have more alternate than others, it is fine because the limitations of the shape of the letters, it must stay readable and legible. Every letter that i've chose are only the best on it and fit with the character style.
In total, Brignola has more than 1000 Glyphs inside.
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Full characters available : https://goo.gl/kctfBt -- only small preview
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Best suited for : Wedding, Invitation, Christmas, Label, Logos, Covers, Poster, Etc.
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Features included are previewed on the display, it contains :
- Contextual Alternates
- Stylistic Alternates
- Ligature
- Discretionary Ligatures
- Initial &Final Swash
- Isolated Forms

Sans-serif, with clean and fresh Character.
“Ye Paradigma” has been established in order to keep its forms as simple as possible - without losing the unique character of each letter, and without simplifying too much. The process was gradual, like the ripening of a sauce that leaves it to be reduced to strengthen flavors, so the letters ripened while reducing unnecessary details, until the taste became more concentrated and uniform.
The result is a clean, fresh, remarkably useful 24 fonts typeface, with a clear and stable graphic language.

Slab-serif typeface, with pulsating and flexible forms, which gives the font its humanistic character.

Ye Carbon crystallized into its forms in search for graphic language that would represent a sense of matter, of letters written by hand. The delicate finishes at the edges of the letters, and the flexibility of the of shapes, gives a feeling of matter, and bring the font to life. Ye Carbon will be a wonderful tool for variety of uses, thanks to its neat nature, and its forms in motion vibe, a rare and winning combination.

Laca Text is a sans serif version of Laca. It was designed starting from the shapes of Laca. It is a cleaner version of Laca. Laca Text has characteristics like a bigger x-height, open counters, smaller ascenders. It works better in smaller text than Laca, because it keeps the structure without the stylistic features of Laca. Laca Text has more straight lines and follows the round shapes of Laca. Laca Text has true italics that are a bit quieter than Laca. Laca Text as the name says it is more proper for long text but also for identity and branding. Laca Text is versatile, and it pairs well with Laca but also stands out by as an independent style.

Mezalia is a one of a kind typeface. Its shapes were strongly influenced by bastarda scripts of high medieval times. Unlike most fonts sharing similar origin, Mezalia is not just another blackletter but a fully functional text typeface, blending medieval poise and character with modern sensibilities. Stroke widths, imitating a broad nibbed pen of a scribe, fluctuate constantly giving paragraphs a characteristic vibrating texture. Despite it’s strong character Mezalia is very legible and will be an excellent choice for a book or an elegant magazine.

Mezalia has two distinct styles: straight and cursive (true italic if you will, although the word is not really correct here), which come in seven weights, from thin to black. Each weight contains a set of old-style figures, lining figures, small caps and ligatures. A separate style containing drop-cap initials is also available.