Piper Blackall

活字書体「岩田明朝体」のデザインを引き継ぐ、伝統ある明朝体です。起筆、終筆部のアクセントで表現された活字特有の文字の力強さ、小さめにデザインされたかなは可読性を高めます。

漢字・仮名とも天地左右を広くとり、 均整のとれたデザインのゴシック体です。
縦組み横組みどちらでもきれいにラインが揃い、 バランスがとれた美しい組版を実現します。

活字書体「弘道軒清朝体」のデジタル復刻版です。四号清朝体を忠実に再現した「復刻版」と古風なイメージを残しつつ JIS 字体にほぼ準拠した「現代版」があります。

Kentledge is a grotesque sans type family based on geometric forms that have been optically corrected for better legibility. The family includes extended language support (over 200 languages), alternates, ligatures and more. It is best suited for graphic design and any display / text use.

Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is described as Clarendon Bold Expanded — however, this is not the case. Clarendon has square serifs, whereas the Watney’s font is rounder and friendlier. A fixture of the Britsh high street landscape for decades, this digitisation adds a full international character set, numbers, punctuation and many other characters that did not exist in the original. A distressed version that evokes rough print on a wet beermat has also been developed.