Piper Blackall

Yutuki Shogo Kana is a headline and display Mincho typeface based on a design of a metal type from Meiji and Taisho period (1968–1926). Yutuki Shogo Kana is a Hiragana any Katakana typeface designed to match Kanji of Yutuki Midashi Mincho. In contrast to Yutuki Midashi Mincho’s thin and delicate Hiragana and Katakana, Yutuki Shogo Kana’s design is bold and stout.
* Please note that the ones named Kana supports limited character sets, which are mainly Hiragana, Katakana and punctuations. Kanji characters used in the banners are of Yutuki Midashi Mincho.

游明朝体36ポかなファミリーは、游明朝体の漢字と合わせて使えるクラシカルな仮名書体です。大正時代に制作された36ポイント（見出し向けサイズ）の金属活字をベースにデザインしました。毛筆の表現力をしっかりと活かして書かれた表情ゆたかな線と、独特のスタイルをもった字形が、この仮名の大きな特長です。タイトルや見出しなど、大きなサイズでお使いいただくと、その個性がより一層引き立ちます。
＊漢字は収容されておりません。組見本は游明朝体と混植しています。

Futo Sans family is a modern & soft sans-serif family has 8 weights upright with matching italics. Its corners and shape give a soft feeling but straight strokes and solid structure make it strong. Each font includes opentype features such as Proportional Figures, Tabular Figures, Numerator, Superscript, Subscript, Case-Sensitive, Denominators, Scientific Inferiors, Ordinals, Ligatures and Fractions.

Quiche Sans is a high-contrast, sans serif typeface with monoline stroke endings, angled stems, and geometric proportions. A sibling to the Quiche family, with the ball terminal endings removed. With weights ranging from thin to black and matching italics, there are a variety of applications that the fonts can be used for: print, web, branding, advertising, magazines, products, packaging, labels, etc.

The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression and tapers out the stroke endings for a sophisticated monoline appearance.

Quiche Sans has many OpenType features, including:
• Multiple stylistic alternates
• Swash capitals
• Ligatures
• Fractions, subscripts, and superscripts

This font has extensive Latin language support for Western, Central, and South Eastern European.

Sid is big, a little rough hewn, and just off kilter enough to provide some visual interest that most sans serifs don't have. Use it where you need something that makes a real impact.

Do you need a big font? Try Syd. It’s smooth, symmetric, bold, and beautiful. Put it on a poster, a sign, a wall,... heck, put it on a building! It will hold up to the elements, draw the eye, and make a statement.