Piper Blackall

Auster, A Sans with Flair!

Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd. The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads.

Originally designed during the TipoBrda Workshop in Slovenia. Resistenza spent 3 years developing this 2 style (roman & Italic), 20 weight family. The subtle reverse contrast characters were first painted with a flat brush, then polished in pencil on tracing paper before being carefully digitized, to include language support and all the opentype features you expect in a quality contemporary font.

Calima is a humanist sans serif family available in six weights.
Its design roadmap was quite simple: try to bring the dynamism and spontaneity of italics to a stable sans serif.
The result is a fresh and spirited typeface with clean lines, equally suited for short text and display uses.
The fonts, available in Opentype format, include diacritics for most European languages and a variety of Opentype features : oldstyle and tabular figures, subscript and superscript, fractions, case-sensitive forms, localized forms and more.

JH Hala is a modern style typeface; it is designed based on Koufi style & latin humanist sans serif classification, typical for corporate identity, branding & signage...

Chartre is a well-proportioned and understatedly elegant font. It is crisp, refined and distinguished. This is a classic that shines in headlines as well as text copy. The Chartre family his ideal for branding, collateral, advertising and packaging design.

Kontiki digitally simulates a handmade woodprint and offers four different qualities of print for each of the 560 characters. To create the Kontiki fonts, 193 glyphs were manually cut into five wooden plates and carefully printed by hand. From countless test prints, the most charming four were selected and digitized. Kontiki offers a designer the possibility to create a printed image that is very close to a traditional woodprint, but is less expensive to produce an easier to correct. As the warmth of manually printed matter has become a sign of quality and good taste, Kontiki is quite useful for packaging, editorial and corporate design.

If you would like to read more about the Typeface please visit our promo site. http://floodfonts.com/Kontiki