Piper Blackall

Disruptors Script is the alter ego of our previous project Gentlemens Script. Unlike the Gentlemens Script, the new font is an elegant rebel and defies traditions. The font is painted with a brush pen, which is especially noticeable in the characteristic shabbiness and different thicknesses of the strokes.

More While the Gentlemens Script is an embodiment of a classic costume, dress shoes and an expensive watch, Disruptors Script is a fashionable suit, sneakers, an iWatch and a tattoo that peeks from under the shirt.

The font retained the incline, speed and overall sense of dynamics inherent in Gentlemens Script, but got a bit more chaotic and unpredictable.

This is especially noticeable in the newly added shabbiness, elongated extenders, a large number of contextual alternates and different ligatures.

For some high-frequency letters (10 for the Latin alphabet and 10 for the Cyrillic alphabet), we painted alternative versions that are substituted in the word instead of the standard characters when following our preceding certain groups of letters.

In addition, in the Disruptors Script you can find functional ligatures, including some of the frequently occurring two- and three-letter combinations.

All these solutions dilute the monotonous line of the set, add a bit of unpredictability to the font and a touch of chaos to inscriptions.

To fully enjoy usage of the font, we recommend that you always keep the features contextual alternates (calt) and standard ligatures (liga) turned on.

If you do not have access to applications that support OpenType features, it does not mattereven without these features you can use and enjoy our font!

Ray is a light-hearted family of display fonts. Its letterforms were inspired by the kind of typefaces used on digital displays. The family includes five variants, each of which shares the same character width, inter-character spacing, and OpenType features.

They are each derived from a strict grid. Ray Ones letterforms make use of a series of dots overlayed on top of a background grid.

The capital letters, lining figures, and lowercase ascenders are nine dots tall.

The x-height is seven dots. The descenders have two dots worth of space available below the baseline. The Ray Two fonts uses squares instead of dots. These all run into each other, but still present a pixelated effect to the texts they set.

Those squares are rounded off in Ray Three, making this style appear like a combination of the Ray One with the Ray Two font.

Ray Four adds bridges between many of the gaps found between the grid units visible in Ray Three.

These rounded elements from Ray Four are in turn re-squared in Ray Five, making that font look like a cross between Ray Two and Ray Four.

The fonts in the Ray family include both lining and oldstyle figures, as well as several alternates for letters like the Q, R, S, and g.

Ray come from Satya Rajpurohit, the Ahmedabad-based type designer who co-founded the Indian Type Foundry.

The Turbinado Set has nine typefaces and an elements package designed to work as a team.

Included are three weights of brushed casual script, each with a dry version, two condensed all caps faces, another hand printed caps face and a set of over 100 brushed elements that include swashes, botanicals, shells, arrows, repeatable patterns and a few other doodads that also play well with the fonts.

More The script fonts have plenty of alternate characters including swash glyphs for ends of words and all of the fonts use the OpenType standard ligature feature to automatically differentiate consecutive lowercase letters and numbers but using separate glyphs, rather than a single ligature so they can be set on a curve or colored separately, etc.

Taking it a step further, all of the Turbinado fonts also automatically differentiate like characters that are separated by another letter when standard ligatures is enabled.

But it has a few ligatures too, like using a single crossbar to unite the At and Att letter combinations.

The two condensed faces have a third set of less uniform glyphs that can be used to create a more quirky, fun and bouncy effect when the discretionary ligature feature is on.

The script fonts have 10+ lowercase t (and double t) crossbar alternates that can be selected from the OpenType glyph table manually, or you can use the contextual ligature feature to automatically insert a bigger crossbar as the surrounding letters allow throughout a text box or document.

Hello? Are you still there? :) And for those intrepid typographers who would rather fashion their own lowercase t to custom fit a specific design, all of the lowercase t ascenders and crossbars are also available separately in the glyph table when t is selected, and can be combined manually.

Rolleston is a rigid 42-style serif font family with peculiar spiky serifs. It comes in three optical sizes: Text, Title, and Display. Rolleston features extensive language support including Cyrillic, contains a variety of Opentype features, and an abundance of ligatures and alternative to choose from for fancy headlines and elegant body copy.

Manual is an 80 font super family formed of 10 weights in 4 different widths. The font is styled with a slight retro feel to give it a unique appearance. Manual is a blue-collar font that works hard for you and your design ideas. The higher x-height enhances the readability for smaller, more informative text sizes whereas the black weights create beautiful, impactful headlines to fit a variety of spaces.

The support of the expansive weights and widths will give your design a truly unique feel.