Piper Blackall

Squad is a humanist sans serif with semi condensed proportions. Inspired by Adrian Frutigers perfectionist style this typeface is a harmonious breed of humanist heritage and contemporary simplicity.

The balanced characteristics, clear and legible silhouette and simultaneously vivid appearance of Squad makes it perfect for any design purpose.

The figures are evident it consists of 18 styles from Thin to Black; covers Extended Latin, Cyrillic and Greek with span for more than 130 languages; flawless functionality and supporting many OpenType features, such as localizations, tabular numerals, inferiors & superiors, numerators & denominators, fractions, discretionary liga- tures, case sensitivity etc.

Designers: Svetlin Balezdrov, Svet Simov More Features: Over 780 glyphs in 18 styles (Thin to Black) Extended Latin, Cyrillic and Greek scripts for more than 130 languages; High x-height and Semi Condensed proportions; Moderate contrast and vertical stress; Humanistic characteristics and open vertical terminals; True form of italics; Coverage of multiple OpenType features; Perfect for text, headlines and web;

A unique kind of type by Michael Herold: The 14 cuts of Corner are equally distributed to the two style variants A and B.

From Thin to Extra Bold, variant A comes with technical and pure forms while B appears with a soft, more personal character.

In combination, the two variants add up to a highly versatile family which is very well suited for branding purposes, thanks to its diverse forms of expression.

More Eine besondere Schriftfamilie von Michael Herold: Die 14 Schnitte der Corner sind auf die beiden Stilvarianten A und B verteilt.

Von Thin bis Extra Bold kommt die Corner im Stil A mit technischen, reinen Formen und im Stil B mit weichem, persönlicherem Charakter.

Als Kombination ergibt sich eine sehr vielfältige Familie, die sich mit ihren verschiedenen Ausdrucksformen besonders fürs Branding eignet.

Quarterpound is loosely inspired by fonts used in Remmington typewriters. It has proportional design to create a more unique feel and improve its readability. It was created to fill a gap between edgy monospaced fonts and grungy typewriter imitations.

Its meant to look credible in print and digital screens.

Many times, when a new creative process is starting, it is triggered by an everyday action or item.

In this case, the looks of a ladys watch inspired Michael Herold to create his new typeface LUX.

The sight of the chronograph sparked associations of the 1950s in Mr. Herold: While this decade was predominantly dominated by brush and feather scripts, there was also a bloom of strict and modern architecture.

This special mix of strength and retro style is exactly what Michael Herold is trying to capture in his LUX.

The result is a typeface which is perfectly suitable for use on book covers, posters and claims thanks to its striking impression.

The name LUX, Latin for light, is inspired by the high bright-dark contrast within the individual characters.

More Oft sind es alltägliche Gegenstände, die das Bestreben eines neuen kreativen Prozesses auslösen.

So entspringt auch die Inspiration zur Erschaffung der LUX von Michael Herold dem Anblick einer Damenuhr.

Der Chronograph löste bei Herrn Herold Assoziationen zu den 1950er Jahren aus: Während diese Zeit hauptsächlich von Schreibschriften aus Federn und Pinseln beherrscht wurde, nahm auch die streng und modern anmutende Architektur starken Einfluss auf die Epoche.

Diese Mischung aus Strenge und 50er Jahre Retro-Stil soll in der LUX zum Ausdruck kommen.

Das Ergebnis ist eine Schrift, die sich mit ihrer plakativen Wirkung perfekt für Buchumschläge, Poster und Claims eignet.

Namensgebend war der starke hell-dunkel Kontrast innerhalb der Schrift festgehalten in dem lateinischen Wort für Licht.

Nora Slab blends a geometric inspiration with warm humanist elements, making it the perfect choice for when you need a fresh, contemporary slab serif typeface.

The companion Nora Grotesque makes the Nora family a real workhorse for any use, including web, digital, print, branding and signage.

Nora Slab has a large x-height and open counterforms, making it easily readable.

It supports multiple languages: Central and Eastern European as well as Western European languages.

It has eight weights with related obliques.