Piper Blackall

Introducing Backlash Font Duo! With a fancy script and a small-caps companion, this passionate pair of hand-drawn marker fonts is ideal for designing handwritten quotes, branding & logo projects, merchandise, social media posts and product packaging.

Backlash includes the following features; Backlash Script A hand-drawn script font containing upper & lowercase characters, numerals and a large range of punctuation.

Also includes a full set of lower & uppercase characters built in to the font as Stylistic Alternates for an additional layout option.

More Backlash Small Caps A hand-drawn sans font containing 2 sets of uppercase only characters, numerals and a large range of punctuation.

Designed to be used as a supporting font to Backlash Script. You can switch between the 2 character sets simply by turning the caps-lock on & off.

Ligatures & Swashes; Backlash Script ligatures (double-letters) are also available for ll, tt & ee.

These are only accessible via software with opentype capability or a glyphs panel.

Four swashes are also available which can be accessed simply by typing any of the these characters in the Backlash Small Caps font; [ ] { }

MaTilda is connected script based on my previous typeface Tilda. It has alternates for each symbol of basic latin so you can chose between connected and non-connected.

The typeface supports all european languages and has special characters like french , Æ, Î, È, german Ü, Ö, Ä, ß, spanish Ñ, Ç, Ó, scandinavian Ø, Å, Ð and many other.

MaTilda is a new Lobster it perfectly fits for signing cards, writing titles or typing a message in a funny way! More of all it has magic karma for increasing your sales, be it candies or perfume.

Just check out how your phrase or name looks!

In a typeface category has been sorely under-represented until now, Aziga is a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone! Aziga lends itself to being set loud and proud, and the consistent angles throughout the glyphs make it a good candidate for more abstract typographic compositions.

For the really graphically inclined (excuse the pun) a rotaion of 66° will make the main diagonals in the font horizontal and vertical.

Features include stylistic and contextual alternates, ligatures and case sensitive forms.

This is an unusual font, thats for sure, but give it a try and you'll be rewarded with layouts that really stand out from the crowd.

Charmetrold is a charmer - and this font is no exception

PB Beneventan XIc is a font face designed for imitate Beneventan minuscule (also called Lombardic, Casinense, Langobarda, littera Longobarda, Longobardisca) from southern Italy found in 11th century manuscripts.

All characters are handwritten by use ink and pen, scanned, digitized and optimized for best quality without lost its handwritten visual appearance.

Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic.

Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.

) and historical characters (mediaeval abbreviations, ligatures, ancient punctuation). OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Alternative Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Case-Sensitive Forms, Stylistic Alternates, Contextual Alternates, Stylistic Set 1-14, Contextual Ligatures, Historical Ligatures, Standard Ligatures.

Include also kerning as single kern table for maximum possible backwards compatibility with older software.

Additional glyphs are mapped to Private Use Area codepoints. OpenType features automatically exchange some default glyphs by stylistic alternates and create ligatures for better historical appearance.